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All clays except terra cotta and sculpture are recommended for wheel.

Sand Clay. A finely grogged clay. This clay is beautiful, it looks like wet beach sand when left unglazed with a grainy, speckled surface. The speckles do not show through glazes and underglazes applied over this clay body but it will bring the color of glazes down.
Cone 6 Shrinkage 13.5% Absorption 3.0%

Brooklyn red. Standard 308.
This is one of the most widely used clays in public studios for a reason. It is a brick red stoneware body with fine sand and fine grog. Very resistant to warping and bloating. Yields a beautiful dark reddish brick color and can bring depth and richness to the glazes applied to it.
Cone 6 Shrinkage 12.5% Absorption 2.0%

Dark Brown Clay.
People love this clay because it is so dark. This clay creates major depth and richness in color as it greatly affects the glazes applied over it. The clay is smooth and plastic and good for all

Last Friday’s Zoom topic is on for today. Betty Woodman!

Born in Norwalk, Connecticut, Betty Woodman attended the School for American Craftsmen at Alfred University in New York from 1948 to 1950. She has taught in the Fine Arts Department of the University of Colorado.

A leading ceramist whose inventive forms and painterly use of color have won her international renown, Woodman began her career making simple functional pottery. Although her ambitious experiments with clay have wrought great changes in her work, it still refers to some practical function even if her baroque, expressive forms are no longer strictly utilitarian. Woodman's art has been inspired by diverse sources, ranging from Etruscan and Minoa to Tange and majolica ceramics.

The recipient of fellowships from the National Endowment for the Arts in 1980 and 1986, Woodman has also been a guest artist at the experimental atelier of the Manufacture National de Sevres in France.